When Martin Scorsese and Robert De Niro aren’t busy trying to figure out ways to digitally de-age the latter in Netflix movies about professional hitmen, they do field offers from other studios. That seems to be the case now with Imperative Entertainment, the production house that recently snapped up the rights for David Grann’s non-fiction novel Killers Of The Flower Moon: The Osage Murders And The Birth Of The FBI. After spending a whopping $5 million dollars for the rights, Imperative immediately pivoted into convincing the two Hollywood stars — and their frequent collaborator Leonard DiCaprio — to accept the project on their behalf.
Despite being supported by a blindingly charismatic cast and some of the best action directors in the business, Paramount’s Star Trek franchise has somewhat been an exercise in diminishing returns after 2009’s big screen reboot. Last year’s Star Trek Beyond may have captured some of the fun of a standalone episode of the series, but it was a surprising disappointment with audiences: the film’s $158 million gross was nearly $100 million less than the first entry in the series and failed to break even on the studios $185 million investment. Those are the kind of numbers that make a studio think long and hard about investing in a sequel.
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
With Star Wars: The Last Jedi dominating today’s conversations on social media, you might’ve forgotten that there are actually other movies being released in 2017. There are many! In fact, some of them are even being released by the same studio! One such film — the little-known Guardians of the Galaxy Vol 2 — braved the onslaught of Star Wars talk to release a brand new clip last night, setting the stage for future films in the franchise (and turning one late night sidekick into a movie star in the process). While the attached video shows the full segment, I’ve queued it up the relevant part.
Alright, a gold friggin’ star to the person who thought of this one. With the new season of Mystery Science Theater 3000 hitting Netflix today, most of the conversation has been dominated by lifelong fans of the show — fans like myself — who are some combination of excited and apprehensive about the return of their favorite television series. But what about the next generation of MST3K fans? How does Netflix introduce them to their service? Why, by riffing on another Netflix property that everyone already knows and loves, of course!
Here’s a little bit of free relationship advice for you: find someone who loves you like David Duchovny and Gillian Anderson love playing Mulder and Scully. It’s been more than two decades — two decades! — since both actors debuted their iconic characters on Fox’s The X-Files, and even after nine seasons, a movie, another movie, and a sorta-miniseries, neither one shows any signs of slowing down. In an era where audiences seem to demand that actors love their characters as much as we do, there’s something refreshing about two performers who come by such affection naturally. Anderson in particular is a powerhouse star of stage and screen, but get her talking about Dana Scully and she’s just as passionate as any of us.
Welcome to the calm before the storm. With a handful of blockbuster movies already released, and more on the way, the second weekend in April was a relatively quiet affair, with a few old favorites dominating the weekend yet again and a few new releases grabbing whatever box office they could before things get fast and furious at your local multiplex. Let’s take a look at the projected grosses through Sunday afternoon.
It’s been a few months since the world lost Carrie Fisher, and while many would prefer to expand the conversation to her accomplishments outside of the Star Wars universe, plenty of people are anxiously wondering how her death might affect her character in the upcoming Star Wars sequels. For some, this can be viewed as a tacky approach to celebrity, but there’s a sweeter side to things as well. Leia Organa remains an icon for people around the world; finding an appropriate way to say goodbye to her character will be, in essence, the way many Star Wars fans say goodbye to Fisher herself.
In a parallel universe where Paramount Pictures doesn’t alienate its fanbase, we might be talking about Ghost in the Shell as the big winner of this weekend and the de facto start of a new wave of Japanese Hollywood adaptations. Instead, DreamWorks Animation and The Boss Baby blew up the box office, no doubt delighting a handful of DreamWorks executives who watched the Ghost in the Shell controversy unfold with glasses of champagne in hand. After all, nobody’s going to boycott a movie about a baby who wears a suit.
After several weeks of limited movement, a handful of new releases prompted a pretty thorough shakeup of the Box Office Top 10. While Beauty and the Beast continued its unstoppable assault on the domestic box office, we also said hello this weekend to three new movies and goodbye to a handful of old favorites from the first few months of the year. Let’s start with the estimated numbers as of Sunday afternoon.
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