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Peter Jackson
Warner Bros.
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Peter Jackson’s ‘Mortal Engines’ Gets December 2018 Release Date

Peter Jackson, never one to shy away from ambitious literary adaptations, is back at it again with Mortal Engines, the first book in Philip Reeve’s sprawling steampunk-science fiction epic series about a dystopian world that’s home to giant cities that travel the land on wheels. Now, his film has an official holiday-friendly release date of December 14, 2018.

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disneysongs
Disney
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The 25 Greatest Disney Songs Ever

Over nearly 80 years, the 56 feature films from Walt Disney Animation Studios have become beloved and instantly recognizable their iconic fairy tales, memorable comic-relief sidekicks, terrifying villains, and some of the greatest songs in cinema history. This week heralds the release of Disney’s latest animated film, Moana, which boasts songs co-written by Hamilton creator Lin-Manuel Miranda. So there’s no better time to compile a list of the 25 best songs in animated Disney history — with a couple of important pre-list caveats. First, to avoid overloading the list with songs from only a few films, each movie here could only be represented by a maximum of two songs. Second, this list has films in the official Disney animation canon only, so nothing from Pixar or even The Nightmare Before Christmas. With that in mind, here’s the list!

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Han Solo
Lucasfilm
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Lucasfilm’s Kathleen Kennedy Says Han Solo Spinoff Is a ‘Heist or Western,’ Confirms No ‘Rogue One’ Opening Crawl

Lucasfilm’s latest State of the Star Wars Union address has arrived right on schedule (meaning: It’s been about a month since their last blanket franchise update), with studio president Kathleen Kennedy offering a few tidbits about their upcoming anthology projects. In addition to confirming the absence of a traditional opening crawl for Rogue One, Kennedy sheds some light on Phil Lord and Chris Miller’s approach for the Han Solo spinoff.

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Fantastic Beasts and Where to Find Them
Warner Bros.
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Newt Scamander’s Past Will Come Back to Haunt Him in the ‘Fantastic Beasts’ Sequel

Fantastic Beasts and Where to Find Them made no secret of the fact that though it takes place an ocean and almost a century away, it’s still deeply tied to the Harry Potter universe. Johnny Depp plays the dark wizard Grindelwald, the Voldemort before Voldemort, in this movie and its sequels, and director David Yates is already casting for Dumbledore for the sequel, who we know used to be Grindelwald’s friend. Another character with close ties to Newt Scamander will appear in the Fantastic Beasts sequel, and bring the magizoologist’s past back with them. (Be warned: SPOILERS for Fantastic Beasts are contained in the following paragraphs.)

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Fantastic-Beasts-and-Where-to-Find-Them
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Weekend Box Office Report: ‘Fantastic Beasts’ Finds Itself in First Place

Fantastic Beasts and Where to Find Them may not have Harry Potter in its title, but the first entry in J.K. Rowling and David Yates’ spin-off series did Harry Potter numbers, dominating the box office and dethroning Doctor Strange from its position at the top of the charts. The film’s success came at the expense of the other newcomers, with The Edge of Seventeen and Bleed For This both stumbling in the bottom half of the top 1

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Category: Elsewhere Tags: , ,
Warner Bros.
Warner Bros.
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Eddie Redmayne Explains Approach to ‘Fantastic Beasts’ Sequel Titles

Fantastic Beasts and Where to Find Them is a pretty lengthy title, but no less of a mouthful than, say, Harry Potter and the Deathly Hallows — or pretty much any Potter film. With four more sequels on the horizon, one of our biggest questions about the series moving forward is how Warner Bros. will approach the titles. Fortunately, Eddie Redmayne has an answer.

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Beauty and the Beast preview
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‘Beauty and the Beast’ Unseats ’Fifty Shades’ as Most-Viewed Trailer in 24 Hours

The trailer for the handsomely-mounted live-action remake of Beauty and the Beast surfaced on Tuesday, and drew strong reactions across the board. Many were taken with the first look at the Emma Watson/Dan Stevens romance, allowing themselves to be flooded with the same swooning emotion that Disney’s animated film conjured back in 1991. Some were less impressed, expressing low-level terror at the unnatural-looking designs for Mrs. Potts, Cogsworth, Lumiere, and the rest of the anthropomorphized household object gang. But regardless of overall reception, one thing is for certain: The Guardian notes that an unprecedented crap-ton of people accessed the trailer on YouTube, making 2017’s Beauty and the Beast the most-viewed-in-a-24-hour-period trailer of all time.

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Arrival-clips
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Weekend Box Office Report: ‘Arrival’ Does Battle With ‘Doctor Strange’ and ‘Trolls’

It looks like the general public reacted to one of the most stressful weeks in living memory by flocking to the movies for a few hours of escape. Both Doctor Strange and Trolls, which debuted to solid numbers last week, held on strong. Arrival, the biggest newcomer of the bunch, also opened well, proving that it’s entirely possible to open in third place and still be a winner at the box office.

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‘Zootopia’
Disney
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Record Number of Animated Films Eligible for an Oscar This Year

Since the introduction of the Best Animated Feature Oscar at the 74th Academy Awards in 2002, we’ve seen a steady exponential increase in animated movies over the years. Pixar, and, by extent, Disney, has usually dominated the competition, with eight wins out of ten nominations, followed by DreamWorks and Disney’s animation studio. This year, we have a record 27 movies eligible for the award, and while the Academy can pick only five to nominate, for now it’s anyone’s game.

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Warner Bros.
Warner Bros.
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Will Smith Reckons with Existence, Plays with Dominos in New ‘Collateral Beauty’ Trailer

Following through on the soupy metaphysics and syrupy emotionality of past projects Seven Pounds and The Pursuit of Happyness, Will Smith completes his “All Along, the Meaning of Life… Was Love” trilogy on December 16 with David Frankel’s Collateral Beauty. A new trailer for the inspirational/”inspirational” morality play has surfaced online today, and it contains all the sky-high emotions, A Christmas Carol-but-with-a-soul narrative structuring, and elaborate domino structures that audiences would expect. It could certainly use more footage of Smith playing with dominos, but then, what movie couldn’t?

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